Nagarjuna has Ragada Kadapa play a guy who speaks in Telangana dialect. It's so illogical, you know that the director should also be aware and all his Telugu cinema experience tells him to explain the purpose, and that the statement is a load of BS. Well, it is not. He explained what it is. It's like someone remember the contempt for, or even his name.
It also explains IQ Ragada behind in general. Nagarjuna disappeared from theaters in last 3-4 weeks, and Ragada promises to plumb the depths. Made on a scenario of limited resources and denial of property, which believes in himself happy. The film has no strong central theme or structure, does not care to appear even remotely logical, is totally devoid of romance, intrigue, and requires close cell phone number of your IQ to understand. There is also the formula of all - the two heroines, completely uninspired songs, fighting ridiculous, and a hero to be God. If not for a comedy track with Brahmanandam, could this film's life for a few years.
Satya (Nagarjuna) comes from the landing in Hyderabad Kadapa and runs straight into a gang war with the shooting goes. It is simply take all the clubs on the one hand, and shoot someone if he is an easy target - the general theme of the film. The head of the other party, GK is indebted to him, and he becomes a business partner. Many bad guys are now in place, and soon lost track of who against whom and for what.
In the process runs in Satya Sireesha (Anushka) who falls for him. They also realize that Satya was a violent reminder Kadapa (like everyone else in Andhra Pradesh). Also included in the Satya lives with his parents and his brother Ananthalakshmi (Priyamani) is an orthodox Brahmin girl saved some tyrant in his spare time. This is similar to a side road to the main plot, but soon all caught up with everything else, and all the problems in your life, you feel inadequate and worthless to the plot is recorded.
Standing in the Ragada hero is the dialect spoken in Telangana - perhaps for the first time, a classic hero in Tollywood did. And to avoid alienating others in an attempt to target groups in these difficult times, the birthplace of the hero is represented as Kadapa. And as I said, things remain just that. Director Veeru Potla do not see any other topics that ask the public why an educated man speaking in the dialect Kadapa another region. More importantly, it is remarkable in itself and distracts from the real movie.
The film seems largely inconsistent to plan with too many characters that much. The film is a guest too, and there is a reason for it - a lot of bloody violence. And many of them meaningless, confused and unable to engage with you. As already mentioned, there are many villains, none of them is characterized with sufficient force so that you can expect from being destroyed by the hero, and that leads to a strong principle of right and wrong is missing. The fighting also unrealistic even by the standards Tollywood - to fight, especially the climax.
While comedy Brahmanandam is particularly enjoyable to participate in the rule, always written dialogue lines between good and mediocre, with the latter more dominant - the dialogues in the climax are especially a treat for people who want to die.
Nagarjuna is always has the same, but the film the feeling of an ode to him - constant lines praising her appearance, even the villains, the film more like an attempt to resuscitate the career of the star as a professional narration. Anushka and Priyamani has been shoehorned Apparently, no dating - Evergreen draw - and there is no place for them, except for the glam factor. Actors like Kota presences are irrelevant, Brahmanandam lost and ends up as the best part of the film.
The songs have the movie in Tollywood most archaic, and the music is painful mass ahead. In addition, for a film that wants to be politically correct, even Ragada mocks the Brahmins.
In general, it is likely that only a wink and a close presence in cinema, and even if it does not blink to miss, must.
It also explains IQ Ragada behind in general. Nagarjuna disappeared from theaters in last 3-4 weeks, and Ragada promises to plumb the depths. Made on a scenario of limited resources and denial of property, which believes in himself happy. The film has no strong central theme or structure, does not care to appear even remotely logical, is totally devoid of romance, intrigue, and requires close cell phone number of your IQ to understand. There is also the formula of all - the two heroines, completely uninspired songs, fighting ridiculous, and a hero to be God. If not for a comedy track with Brahmanandam, could this film's life for a few years.
Satya (Nagarjuna) comes from the landing in Hyderabad Kadapa and runs straight into a gang war with the shooting goes. It is simply take all the clubs on the one hand, and shoot someone if he is an easy target - the general theme of the film. The head of the other party, GK is indebted to him, and he becomes a business partner. Many bad guys are now in place, and soon lost track of who against whom and for what.
In the process runs in Satya Sireesha (Anushka) who falls for him. They also realize that Satya was a violent reminder Kadapa (like everyone else in Andhra Pradesh). Also included in the Satya lives with his parents and his brother Ananthalakshmi (Priyamani) is an orthodox Brahmin girl saved some tyrant in his spare time. This is similar to a side road to the main plot, but soon all caught up with everything else, and all the problems in your life, you feel inadequate and worthless to the plot is recorded.
Standing in the Ragada hero is the dialect spoken in Telangana - perhaps for the first time, a classic hero in Tollywood did. And to avoid alienating others in an attempt to target groups in these difficult times, the birthplace of the hero is represented as Kadapa. And as I said, things remain just that. Director Veeru Potla do not see any other topics that ask the public why an educated man speaking in the dialect Kadapa another region. More importantly, it is remarkable in itself and distracts from the real movie.
The film seems largely inconsistent to plan with too many characters that much. The film is a guest too, and there is a reason for it - a lot of bloody violence. And many of them meaningless, confused and unable to engage with you. As already mentioned, there are many villains, none of them is characterized with sufficient force so that you can expect from being destroyed by the hero, and that leads to a strong principle of right and wrong is missing. The fighting also unrealistic even by the standards Tollywood - to fight, especially the climax.
While comedy Brahmanandam is particularly enjoyable to participate in the rule, always written dialogue lines between good and mediocre, with the latter more dominant - the dialogues in the climax are especially a treat for people who want to die.
Nagarjuna is always has the same, but the film the feeling of an ode to him - constant lines praising her appearance, even the villains, the film more like an attempt to resuscitate the career of the star as a professional narration. Anushka and Priyamani has been shoehorned Apparently, no dating - Evergreen draw - and there is no place for them, except for the glam factor. Actors like Kota presences are irrelevant, Brahmanandam lost and ends up as the best part of the film.
The songs have the movie in Tollywood most archaic, and the music is painful mass ahead. In addition, for a film that wants to be politically correct, even Ragada mocks the Brahmins.
In general, it is likely that only a wink and a close presence in cinema, and even if it does not blink to miss, must.
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